I obviously have a fond and emotional connection to the video store culture as it was back in the day. And I know that the city of Dallas will miss having Premiere Video around to serve as a one-stop go-to place to find something you’re dying to see but couldn’t find elsewhere or to just load up on films for a couple nights.
He, more or less, hired me because I was a theatre kid that had a warehouse of movie knowledge in my head and California State Law pretty much required someone with my career ambitions to work in a video store at some point as they attempted to get their SAG card or sell their first script.
FILMS GONE WILD: Singing the praises of the truly great Florida Film Festival after doing the jury thing and talking to Billy Crudup for an hour
that attention to detail and/or the prioritization as to where that attention to detail should be focused routinely comes from the top. And this is where I have to give a big nod to Executive Director David Schillhammer, Programming Director Matthew Curtis, and Programming Coordinator Tim Anderson. Those positions are fraught with epic headache-inducing crises and tough judgment calls, and thankless task after thankless task. And David, Matthew, and Tim, managed to both do whatever they had to do to command their film festival ship and heard the cats that are the filmmakers, jury members, patrons, sponsors, film fans, etc. quite obviously have good film programming chops, and also display poise befitting Mr. Roarke from “Fantasy Island.”
FILM FESTIVAL NEWS: The 12th Harlem International Film Festival celebrates independent filmmaking on the weekend of May 6th and 7th
The 12th Harlem International Film Festival’s red carpet on Saturday, May 6th, again gave a diverse group of filmmakers their due in front of the cameras. Sunday’s closing night presentation of Angela Robinson Witherspoon’s CURTSY, MISTER included a very special guest to see Witherspoon’s feature film directorial debut.
FILM FESTIVAL NEWS: New Jersey’s Lighthouse International Film Festival Announces Lineup for fest in June
The Lighthouse International Film Festival (LIFF) has announced the complete lineup for its ninth annual event, which will take place June 8-11, 2017 on Long Beach Island, New Jersey. The festival will open with Sam Voutas’ acclaimed KING OF PEKING, a rousing Beijing-set love letter to cinema that brought cheering audiences to their feet at Tribeca 2017.
FILM FESTIVAL NEWS: The 12th Harlem International Film Festival does Opening Night with style to spare
The 12th Harlem International Film festival’s Opening Night Afro Punk celebration, highlighted by the world premiere presentation of Daniel Peddle’s GARDEN OF THE PEACEFUL DRAGON featured more style on the red carpet than most. The impressive looks on the carpet showed that these filmmakers have figured out that the attention you get in front of the photographers and interviewers there can be useful to get attention for your film when it plays in the fest – and beyond.
TRIBECA 2017 REVIEWS: Rainer Sarnet’s NOVEMBER and Aaron Moorhead and Justin Benson’s THE ENDLESS offers up scares and WTF moments aplenty highlighting this year’s Tribeca Midnight fare
For all of the heady titles a fancy fest like Tribeca boasts, there’s also a nice bit of midnight movie material floating around. Two standouts grabbed my attention, albeit for very different reasons. One is a bizarro bit of dark folklore from deep within the Baltic states. The other is an old-fashioned supernatural yarn set in rural America in the mold of The Twilight Zone. Both are great examples of how a discerning festival can find sublime treasures even in the over-trodden tropes of fantasy flicks.
TRIBECA 2017 REVIEWS: Dome Karukosi’s TOM OF FINLAND bio-pic is an entertaining and well-told reminder of the reality of bigotry toward gay people that is currently having a resurgence (as our reviewer was reminded yet again following the screening)
The film itself is very well-handled. It hits most of the standard biopic tropes with exceeding competence and sensitivity. Setting the stoic nature of Finnish culture aside, Pekka Strang’s performance as Tom evokes a great deal of the frustration and longing which surely the artist felt. It’s a maddening proposition.
TRIBECA 2017 REVIEWS: Zefrey Throwell and Josephine Decker’s FLAMES, is a doc/narrative hybrid depicting a couple “arting” themselves to death
Prepare to witness jarring scenes of the couple having sex – not regular sex – it’s almost at a genuinely daredevil level. No, this isn’t a porno, but it certainly edges up against those borders at times. Thankfully, there isn’t too much of this, and it really does serve a purpose. This film is all about vulnerability. These are people slicing themselves open on screen, going to a lot of trouble to show us in piercing detail all of their flaws and frailty.
In honor of the wonderfulness of Patty Jenkins’ WONDER WOMAN, this group of films has a loose connection of amazing women, including; the incredibly underrated director that Ida Lupino was (THE HITCH-HIKER), a “I’m having more fun than I should be allowed” performance by Glenn Close in THE GIRL WITH ALL THE GIFTS, a Marilyn Monroe double feature, one of Julie Andrews’ somewhat less-heralded favorites (for me at least) gems (THE AMERICANIZATION OF EMILY), as well as an extremely late-to-the-party screening of ROGUE ONE.
THE GUEST COLUMN: Gregory Kallenberg on the Genesis, the Rarity, and the Real (Big) Money Opportunity that is the Louisiana Film Prize
as a final attempt to sway you to make a film or, in the least, come to Shreveport in October, please know why this competition was created. It was created for you, the filmmaker. I deeply wanted to give you a reason to practice your art and your passion. I wanted to give you a goal to strive for and for that goal to yield the creation of a film you would be proud of. To me, there are fewer and fewer places that celebrate your work in a way you deserve, and, to me, there is no better place — dare I say it? — on the planet to do this besides the Film Prize!
VOD REVIEWS: Nathan Morlando’s MEAN DREAMS offers up a classic story of star-crossed young lovers with a swan song performance by Bill Paxton
MEAN DREAMS not only isn’t trying to reinvent the wheel, it revels in the trappings of its poor, farm country setting, story tropes, and the familiar character archetypes it puts forward. The film banks on the romantic dynamic between the two leads (Sophie Nelisse, and Josh Wiggins), as well as the villain role embodied by Paxton..
VOD REVIEWS: Justin Kurzel’s THE SNOWTOWN MURDERS is an under appreciated horror masterpiece waiting to be re-discovered on VOD
The reek of degradation is so impactful, it’s hard to wash away from the mind. And therein lies the true horror the film offers as well as its cinematic triumph. The murders take a back seat to the explorations of the utter raping of the psyche of a teenager we are subjected to. No amount of gore could make an audience more uneasy, seeking the exits than what The Snowtown Murders has conjured.
VOD REVIEWS: Martin Koolhoven’s BRIMSTONE delivers a brutal, bloody western with three old school star turns by Dakota Fanning, Guy Pearce, and Kit Harrington
Yes, it is unforgivingly violent, and frequently – literally perverse, and twisted, but ultimately the strength of the film falls on the two leads, Fanning and Pearce, as well as a supporting turn by “Game of Thrones” star, Kit Harrington, as a gunslinger who becomes an ally to Liz, during an earlier chapter of her life.
Perhaps the best breakout comedy movie from the 2017 Tribeca Film Festival is a Capra-esque gem called Nobody’s Watching. It’s a smartly-executed work which captures powerful and authentic emotions, whose laughs are not throwaway and cheap, but based in real sadness and approached with great reverence.
TEN (OKAY, EIGHT) BURNING QUESTIONS: Elina Psykou’s Tribeca Film Festival Award-winner, SON OF SOFIA
It was almost shocking to discover this gentle, cheery person with a disarmingly childlike smile was the same person who made such a dark and challenging movie. The contrast between who I encountered in a hotel lobby and what audiences will encounter with Son of Sofia only augments the sense of humanity both the film and filmmaker so strongly convey.
Christian D. Bruun’s documentary, BLUE GOLD: AMERICAN JEANS, is a pretty classic version of a documentary that likely introduces you to a world you had no idea ever existed. The film looks at the literal history of blue jeans from their creation, the evolution of jeans as a wardrobe staple, and then a fashion sensation, and international presence, and finally, a highly coveted collectors item.
SHORTS and to The Point: Jessica Curtright and Santiago C. Tapia’s IT BEGAN WITHOUT WARNING instantly grabs you by the bloody shorthairs
We write and edit together – 2 people but like one brain really. We read a while ago that the Coen brothers edit with 2 keyboards plugged into the same computer. We thought, “that’s interesting, why not give it a try,” and it stuck. That’s how we write and edit.
SHORTS and to the Point: Jennifer Sheridan and Matthew Markham’s SET ADRIFT is a sad doggie story that will make you cry in 8 minutes flat
You also have to know what the correct incentive to use to get the right emotion. For example, if you want to evoke a sense of longing/ pensiveness then use chicken or turkey, but if you need a more alert/ concentrated look- you should use a tennis ball. It’s all about how to get the best performance out of your actor and Bowie is no exception. I’ve yet to try the chicken technique with real actors though.
SHORTS and to the Point: Matt Mercer’s FEEDING TIME serves up a tasty scares + laughs cinematic snack
Even if people aren’t chortling their heads off, I think the lightness and quirkiness plays. And the main reason I say my concern was mostly with the laughs is because I think first introducing some buoyancy into the proceedings opens the audience up for the scares later. I think it makes the scares more impactful as the film plays out.